Nithurst Farm

Nithurst Farm

Sussex, UK, 2019

Nithurst Farm is a new-build family home for the architect and his family in the South Downs National Park. The house is built from structural concrete and wrapped in a thick brick skin. Arched brick window openings give ‘cadence’ to the long side elevations. The backs of these arches are visible from within the house, differentiating the inner and outer leaves. By contrast, the south elevation rises to form a 3 storey tower, expressed as a grid.

The ground floor plan consists of two main spaces, with six internal concrete towers, each, containing a secondary room such as a cloakroom, study and larder. The main space is a 4.5 metre high kitchen, dining and family room. It is tapered on N-S axis, creating a false perspective that heightens the sense of a journey to the main sitting room, the house’s principal space within the tower.

Robert Mangold artwork

Roman Wall, Leicester, UK

East Elevation

Villa Barbaro, Andrea Palladio

Ground Floor Plan

Site Location plan

Mansions of the Dead, Paul Nash, 1936

South Elevation

Section Detail

Hans Vredeman de Vries

Long Section

Hans Vredeman de Vries

Stalker, Andrei Tarkovsky

Axonometric View

Robert Mangold artwork

Roman Wall, Leicester, UK

East Elevation

Villa Barbaro, Andrea Palladio

Ground Floor Plan

Site Location plan

Mansions of the Dead, Paul Nash, 1936

South Elevation

Section Detail

Hans Vredeman de Vries

Long Section

Hans Vredeman de Vries

Stalker, Andrei Tarkovsky

Axonometric View

Robert Mangold artwork

Roman Wall, Leicester, UK

East Elevation

Villa Barbaro, Andrea Palladio

Ground Floor Plan

Site Location plan

Mansions of the Dead, Paul Nash, 1936

South Elevation

Section Detail

Hans Vredeman de Vries

Long Section

Hans Vredeman de Vries

Stalker, Andrei Tarkovsky

Axonometric View

A dark, labyrinthine passage leads to the light-filled sitting room, exaggerating its impact. Internally the exposed structural concrete walls and ceilings are left deliberately rough-and-ready: just as they came out of the formwork.

The house feels both ancient and contemporary – its weighty and tactile materials speak to those of the surrounding farm buildings, whilst the abstraction of its stepped form is suggestive of minimalist sculpture. The character of this space is informed by Renaissance drawings and by Palladio’s plan for the Villa Barbaro. With influences ranging from Vanbrugh to Tarkovsky, the design has multiple layers of reference and association, each informing the whole, enhancing its meaning, whilst creating a beautiful place to live.

Photos: Brotherton-Lock

Awards
EU Mies Award 2022 – Nominee
Wallpaper* Magazine Worldwide Best New House 2020 – Winner
RIBA South East Building of the Year - Winner
RIBA National Award - Winner
RIBA Regional Award - Winner
RIBA House of the Year - Shortlisted
Architects Journal, House of the Year, Manser Medal - Shortlisted
The Georgian Group’s Architectural Awards, Giles Worsley Award for New Work in the Spirit of the Georgian Era – Winner
South Downs National Park Awards, Innovation Award -Winner